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saxophone pads
  author: wang   date: 2012-09-12

Our products includes SAXOPHONE PADS, CLARINET PADS, FLUTE PADS, PICCOLO PADS, OBOE PADS, BASSO PAD CLARINET REEDS SAXOPHONE REEDS.
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If you are interested in our products, we are willing to send you some free samples for you to test its quality and also with our price list included.
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Pipe music playing technology depends on the lips, tongue, breath, fingers collaborative action. Therefore, the use of the tongue tonguing is playing an important part of the technology. Many experts say tonguing Band playing "worst enemy", the practice has proved that the use of saxophoen pads tonguing works, not perfect performance. On the application of the tongue tonguing a few questions:
1. Tongue and gas velocity
Use of the tongue tonguing, to form a a stable radical high-pressure gas velocity, the spit sound effects can improve. Conversely, the gas velocity is unstable, loose, no gathering force, controlled breathing, not a right abdominal breathing, do not apply the correct atmosphere playing, that use tongue tonguing not work. Therefore, it is necessary to allow students to practice breathing seriously, and by practicing long tones formation of
saxophoen pads appropriate, accurate, stable and radical high-pressure gas velocity for each tone.
2. Pronunciation principle
Spit tone tongue state, location, action, since blowing pronunciation principle: tonguing tongue state - relaxation natural, slightly raised; - tongue "tip" slightly up to vote, contact reeds; tip " along the contact tip "at the site of the smaller less; tone tip the action - Sheqian half, both in slightly even shrink slightly in the work under the lower edge touches the tip of the reed, issued the" sudden "or" all "syllable tongue state, location, action should repeatedly pondering continue to train hard to make Ondo tonguing relax, comfortable and natural, the spit sound effects to achieve clean, clear and pure extent tonguing to practicing slow gradually achieve fast tonguing, fire pronunciation principle - the tonguing gas can not be broken, the air pressure is always kept around in tone sharp, when tongue touches along the sharp whistle tablets, so that air can not flute head and whistle piece between the outlet into the flute tube, the tip of the tongue to stop the flow reed can not vibrate, and the pronunciation is terminated; When the tongue away from the reed sharp lower edge, the flow of air through the mouthpiece and reed between the outlet vibration generated by the Reeds and pronunciation; along the tip of the tip of the tongue touches the reed, the shorter the time, leave longer, longer pronunciation; sound tip touches the longer the time along the reed tip, leave the shorter, the shorter pronunciation, which When the tip of the tongue is played as the role of the piston or valve.
Tonguing the major problems
First, the tip of the tongue led big move around the base of the tongue, not only delaying the action of the sound, and mutual neck, throat, lips, facial muscles are moving over sound effect issued "lost in Europe" (diu ou) or "bad grief" (dai) , as well as other mixed voices, destruction of the style of music, this is a very bad tonguing.
Second, the tongue touches the reed area too much, tight, heavy, vigorous, and the sound of diehard make voice disorders, destruction of music effect.
The third, in the tonguing continuous, each from a sound blowing breathe once inspiratory time, superfluous cause lip. Cheeks, neck move, so that from the first sound of the blowing boorish ugly, destruction of music effect. Tonguing problems above, must be corrected in accordance with the two problems described earlier.
4. The five forms vomit sound method
First, the single-spit method
Three syllable the spit sound: "sudden" (tu), "all" (du), "friends" (1a). "Sudden" style tonguing often played simply fast passages and syllable in Ondo tonguing, can enhance the stability of the tongue action, and the action is simple, so this syllable called "Basic tons of tone" speech issue a variety of changes in the expression and characteristics of music effect. Such as long, short, fast, slow, strong, weak, but the principle is always the same syllable issued a "sudden" (tu). "Indian" style spit law, also known as "soft-over-tone", the location and movements of the tongue tonguing roughly the same basic method, The Ondo slightly Heiichi little, tongue slightly rounded attack action to be gentle ideas , so that the sound is softer and more rich coherent style, the tonguing often for playing music section of lyrical melody and staccato playing (Legato-Staccato). The "type spit law, although with less useful, tongue slightly swept away along under the tip of the reed, is to suffer non endure, very light and weak staccato tonguing, so that you can feel, but the actual can not hear the effect, to deal with the extremely dexterous subtle, this the tonguing fully artistic skills demonstrated superb performers.
Second, double-through method (also known as abdominal spit method)
Spit method: sudden - library "(tu-ku), or" special - card "(tc-ka) two syllables double double spit alternately using two different methods of attack and radio generally use sound to stop whistle airflow method used interchangeably in two ways. piece flip cut off and throat double spit law good at playing fast phrases, it is the basis of good single spit law and pronunciation efforts to control and music performance better qualities do play the sound rhythm of a smooth, balanced volume from the unity of the blowing sound very skilled master to music played spring with ease.
Third, three spit Law
- With the sudden - sudden - library "(tu-tu-ku), or" special - special - card "(te-tc-ka) three syllables. The spit law with double spit law play the fast Osteoform particularly suitable form of triplets or three different sound repeated in the form of music hook structure. This three spit law often make every repeated "sudden" overly prominent, so some players tonguing syllables conversion, such as: tu-ku-tu ku - tu --- Kuo
Fourth, the gas spit Law
- The syllable mouth "husband" (fu) or are husband "(du fu). This tonguing is a the saxophone played Listening a spit sound method. Exercises, as little as possible homes mouthpiece on teeth near the mouthpiece before the next show to relax as much as possible, be done on a tight Kudamatsu hey sound available directly from the gas to bring out the "husband" (fu) sound can also tape " Cardiff the "(dufu), such over-Tone Multi for slow lyrical songs.
Fifth, the bomb method (also known as roll sound)
Notation terminology Frullato, and playing the tone with "sudden Lulu ..." (tululu ...) tongue quickly fibrillation embouchure. This spit tone rarely used in Orchestra, the use of special sound effects.
5. The single spit law (also known as the basic tonguing law) - the player according to the changing characteristics of the musical expression, may issue to light, weight, length and other various start-blowing effects, but the principle is always the same syllable pronunciation of "sudden" (tu) .
First, legato (legato) Legato notation in playing certain notes legato line, in addition to the first sound musical style tonguing, connections within other notes without a tongue tonguing, by changing the lip relaxation and breathing energy plus fingering conversion, with breath to make sound and tone between coherent and smooth to play spring.
Second, soft from the blow (adhesion) Portato, notation as times played legato playing, but the syllables "Zheng" (du) continuously very consistent with his tongue gentle stretch since blowing each tone with expressive beautiful lyrical song.
Third times legato (off legato) mczzo staccato notation in performance, ranging from legato the IJeSato and staccato Staccat. Played between law, basic spit sound law "sudden" tu) syllable from the blowing each tone, the time value of playing every Bo, accounting for about three-quarters of Bo. Fourth, to maintain sound Tenuto notation playing. The time value of the notes to be played foot, the effect of different Iegato similar, even responsible for the smooth sound and tone between basic spit sound law "sudden" (tu) each sound syllables from the blow, is the difference between legato Legato and soft the overblow Portato place. Accents from the blow
Fifth. Accented embouchure the accent notation playing, from the basic spit sound method "sudden" (tu) syllable blowing, the time value of a film to play the fade effect from strong, tone and elasticity of the abdominal muscles action control.
Short sound from the blow
Sixth, hammer tone embouchure martele (staccatissimo) notation in performance, sound method "sudden" (tu) basically spit syllable from the blow, but each sound to be played short powerful effect of the time value of play the notation a quarter of the film.
Seventh, staccato rhythm notation method Staccato playing basically spit sound method "sudden" (tu) syllable from the blowing, just more elastic and particle effects, play half notation Bo.
Eighth, set the tone embouchure tremolo notation in performance, with basically spit tone method "sudden" (tu) syllable from the blow, to be fast, clean, smooth, evenly back and forth alternately repeated playing.
Ninth, the the vibrato outs law Trill notation playing, go back to the top of the sound from the tone of the notation of this tone repeatedly, according to the needs of music played. Saxophone playing, the use of jaw-natural
saxophoen pads vibrato, issued the "ah - ah - ah - ah ..." (ya-ya-ya-ya ...... ") syllable. Saxophone use of natural vibrato is determined by the style of music and emotional characteristics of a particular phrase, based on pure, pure pronunciation is extremely delicate musical instruments in the player control, and music artistic accomplishments basis, so saxophoen pads that the music played sounds smooth soft sweet plump satisfactorily. study and imitate a variety of the best artists of the natural vibrato.
Tenth, portamento each law Glissando notation in performance, portamento sound change from low to high or high to low, the process driven by the lower teeth and lower lip change the reed forest Dodo area and length of been on the decline in tone and portamento. The decline tone: the lower teeth driven all relax Han Jin control while stretched out, the the reed vibration area increased growth; on portamento portamento: must be in the training will be a decline in sound to practice on. On portamento exercises with the process of the decline in sound, driven by the lower lip, relax by stretching the control of the state, revert to the normal pronunciation, type first lower teeth. Use of portamento to the needs of the style and mood of the music features, listen more good jazz
saxophoen pads and light music, master and improve the skills of portamento.
The above is a commonly used starting blowing, not all played a hand cast, the player actually playing method the more, the more accurate the more skilled, his playing skills are also higher.

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